Art Writer Robin Cembalest
has produced everything from investigative journalism to profiles, trend stories, hard news, reviews, and early listicles and blog posts. She’s published in the the Village Voice, New York Observer, New York Times, Wall Street Journal, El País, most of the major art magazines, design publications, and many other places.
Working at ARTnews, Robin covered the major cultural events and controversies of the 1990s and 2000s— government funding and the Mapplethorpe obscenity trial, the ecological art boom, the growth of the Guggenheim, censorship cases, multiculturalism, diversity, Native American art, the rise of social practice, and the transformation of the art museum, among other topics. She’s also written extensively on Spanish art and culture for publications in Spain and the U.S.
Following is a non-chronological sampling from Robin’s hundreds of publications.
The Colonial-Art Revolution
In the United States, the art made in Spain’s Latin American colonies used to be considered artistically minor and politically incorrect. Now, as intellectual trends coincide with demographic realities, it’s on the cutting edge of art history—and the wish lists of top museums