Drawings at the Whitney reveal the step-by-step process that Edward Hopper used to create his iconic painting of a New York diner at night.

The spectacular, panoramic, pasted-paper mural that Saul Steinberg created for the American Pavilion of the 1958 Brussels World’s Fair is reassembled for the first time at the Ludwig Museum.

The first thing to understand about “Caribbean: Crossroads of the World,” the cluster of exhibitions opening concurrently at El Museo del Barrio, the Studio Museum in Harlem, and the Queens Museum of Art in June, is that these aren’t shows of Caribbean art. They’re shows of art about the Caribbean.

As a Black woman artist and activist whose goal has been to “deal with American history as it is not told,” Howardena Pindell long faced exclusion on many levels. In recent years, she has become recognized as pioneer and thought leader whose influence goes far beyond the studio.

Carolee Schneemann's classic, erotic, transgressive work from the '60s takes center stage in Miami.

A collaboration between MoMA curators and the Columbia Business School depicts early modernism as a vast social network. It's the latest in a long line of charts showing that no ism is an island

Communal crafting and collective action are essential parts of Marie Watt’s art practice.

Using the Drawing Center’s gallery space, a tricked-out Xbox Kinect, and the exaggerated rhythmic stylings of expert dancers and musicians, Rashaad Newsome created a template for sculptures like no one’s ever seen.

Delicious dish on chocolate artworks by Janine Antoni, Dieter Roth, and more.

Talking to Melissa Chiu and Fereshteh Daftari about “Iran Modern,” a groundbreaking show at Asia Society.

The famously impish Robert Rauschenberg is as playful as ever on the occasion of the largest show of his career.

From a provocative upcoming Metropolitan Museum show to adoption-ready “purr-formers,” the art world is exploring the shock of the mew.

A film by Laurie G and David Shapiro spotlights the gay American Jewish anthropologist and artist who documented his travels in Papua New Guinea and Peru.

A disappearance, a discovery, and a mystery at the Minneapolis Institute of Arts, via Mark Dion

Three millennia, 350 objects, and one national identity are featured in an ambitious show at Montreal’s Museum of Fine Arts.

Marc Chagall’s Crucifixions are in a startling Jewish Museum show that overturns popular notions of his work.

As the morphine craze gripped Paris, a new archetype of angry, scary women emerged in French prints. Collectors loved them.

Mexican designer/artist Pedro Reyes opens a temporary sanatorium in Brooklyn.

The women in beloved Vermeer paintings have been stripped by Dalí, bedecked in toilet-paper rolls, and reincarnated by Cindy Sherman

Artist Ben Rubin remixes 37 works in a site-specific, L.E.D-lit, linguistic-supercollider sculpture (that’s also a chandelier).